She also hides her interest in boy band 4*Town from her parents, claiming one of her friends is the real fan, which is an absolute lie. The merman’s existence weaves neatly into other doodles, like ones with her and Devon embracing.Īt 13, she already feels these kinds of crushes are inappropriate for her - whether due to her parents’ reactions, the societal norming around how she’s supposed to act, or just how overwhelming these emotions are. Her self-reproaching over her fantasies only makes her doodle more urgently.
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This desire to keep drawing comes unbidden. And soon she draws him as a merman, melding fantasy and reality. When Mei Lee doodles the cute boy who works at the corner store, she begins with some fairly standard ideas: his muscled arms, his endearing bucket hat. Being horny for the first time is confusing and overwhelming, and Turning Red’s frankness and exaggerated lust captures this moment of life with hilarious finesse. Puberty is when many of us first start to think about what it means to be attracted to other people. Only in the past few years has girlhood lust made its way onscreen, complicating the media landscape with wild, imaginative, and often cringy scenes that make for much more human storytelling. But that homogeneous idea of attractiveness left out how completely one-sided, truly fictitious, and often pretty weird so much young pining is, when crushes are first being formed. This is true for onscreen girls and women, who for decades mostly conformed to a set look - white, thin, and able-bodied - and were attracted to boys and men who conformed to a similar set of norms. Since the advent of television and movies, media have dictated the terms of being considered attractive, and most screen media in particular has left out the broader, messier spectrum of desire.
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Mei’s mom has no idea these doodles were all the product of imagination, rather than reality - of a crush running free across the pages of a notebook. Her mother finds that fan art, and goes to chew out Devon for corrupting Mei. The protagonist, 13-year-old Chinese-Canadian girl Mei, has started doodling fantasy images of her crush, 17-year-old Daisy Mart clerk Devon.
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There’s a scene in Pixar’s Turning Red that made me want to sink right through the carpet and into the afterlife.